BEFORE THE DEVIL KNOWS YOU ARE DEAD

Crime thiller

PRINCIPAL CAST MEMBERS
Philip Seymour Hoffman: Andy Hanson, a payroll executive
Marisa Tomei: his wife Gina
Ethan Hawke: Andy’s younger brother Hank
Albert Finney: Charles, the owner of a mall-store
Rosemary Harris: his wife Nanette

REVIEW
Using a rather unusual device of each scene being played out from someone’s point of view (as noted in the on-screen label) then later seeing it again from someone else’s perspective the movie advances then retreats a bit until it catches up where we left off. In this way the story unfolds in bits and pieces, which keeps you interested in the developments. Being a crime thriller the less said about these developments the better.

What needs to be said is the acting throughout is excellent, the editing crisp, the other production values first rate. In other words, a really good movie.


CLASSIFICATION
for a scene of strong graphic sexuality, nudity, violence, drug use and language.

FOR NITPICKERS ONLY
 When Andy and Hank meet in a bar, the lemon twist in Andy’s drink flip-flops. Seen from Andy’s perspective it floats vertically but when looking over Hank’s shoulder it is horizontal.
 When first seen there are three gunshots some minutes apart. In the replay mode these shots occur within seconds of each other.
 When Hank is in Andy’s office the sun is coming diagonally from the 1 o’clock position. In the replay it is from 5 o’clock.
 Charles gets in his car and before he is even settled and has yet to reach forward to insert the ignition key the engine starts.
 The recorded message from the car rental company says to call 555-???-????; the sign outside the office shows the number to be 212-967-????
 Furthermore there is no such area code as 555.

P.S.
The title comes from the Irish toast “May you be in heaven a full half hour
before the devil knows your dead.”

LIONS FOR LAMBS

• 
  
  
  War drama
  
  PRINCIPAL CAST MEMBERS
  Meryl Streep: cable television journalist Janine Roth
  Tom Cruise: Republican Senator Jasper Irving
  Robert Redford: political science professor Dr. Stephen “Doc” Malley
  Andrew Garfield: Todd Hayes, one of his gifted students
  Michael Peña: Ernest Rodriguez, recently enlisted soldier
  Derek Luke: his buddy Arian Finch
  
  REVIEW
  A well structured anti-war film seen from three perspectives: that of a Senator, as seen by soldiers engaged in fighting the enemy and viewed by the intelligentsia. However, the latter only serves to muddy the waters (except for one brief flashback) and it really just showcases Redford’s acting abilities. But it’s not needed.
  
  Another thing not needed is the static approach taken with the Senator and also with the professor. In both cases, two cameras are plunked down and the shots simply flip-flop back and forth so we can see the speaker. The cameras hardly move so it makes for a monotonous visual experience. The action shots in Afghanistan aren’t much better.
  
  The acting is fine with only Meryl Streep coming across as making any real effort. Although there are a lot of words, thankfully the movie is fairly short so we’re not totally overwhelmed.
  
  CLASSIFICATION
  for some war violence and language.
  
  FOR NITPICKERS ONLY
   The right drawstring on Todd’s hoodie has a mind of its own: a single thread hanging off the end comes and goes between shots.
  
   So do Doc’s glasses. They simply will not stay put, moving about on his desk pretty much at random.
  
  P.S.
  The name of the film is derived from Alexander the Great’s proclamation,
  “I am never afraid of an army of Lions led into battle by a Lamb”

CONVERSATIONS WITH MY GARDENER

Drama
In French with English subtitles
Original title: Dialogue avec mon jardinier

PRINCIPAL CAST MEMBERS
Daniel Auteuil: a middle-aged Parisian artist
Jean-Pierre Darroussin: an old school friend
Fanny Cottencon: the painter’s wife

REVIEW
Talk about dull: there is no action, no plot, no violence, and no joviality. No nothing. It can best be described as a talkathon because that’s all they do.

Sittings listening to two people reminisce and chat amicably about a variety of topics may well be of great interest to some. But not for me, I left after half an hour.


CLASSIFICATION

CONTINENTAL, UN FILM SANS FUSIL

Drama
In French with English subtitles.

PRINCIPAL CAST MEMBERS
Marie-Ginette Guay: Lucette, a housewife
Réal Bossé: Louis, an insurance salesman
Fanny Mallette: Chantal, hotel front desk clerk
Gilbert Sicotte: Marcel, a pawn shop employee

REVIEW
If they ever have an award for the strangest movie title, this one would surely win. The direct translation is Continental, a film without guns. I’m not sure why this name was chosen; perhaps it’s an inside joke. Whatever.

In any event this is essentially a movie without any real story, just a collection of vignettes about four people who have basically one thing in common: they are lonely. How they deal with their situation (and in some cases with each other) often prompts quiet chuckles but for the most part it’s pretty boring stuff. Everything evolves at a snail’s pace and with hardly any emotion. That doesn’t mean the acting is lousy. The script does not require them to do much more than act themselves. So that’s what they do. Oh hum.

CLASSIFICATION
for mature themes and sexual situations.

FOR NITPICKERS ONLY
 I think the city of Laval should buy more buses. At the beginning of the movie a man gets off the bus and goes around behind it and we can see the bus to be number 6104. Near the end of the film a lady takes a bus ride and when she alights guess what? Good ol’ number 6104.

 From the hallway the door hinges to Louis’ room are on the left-hand side. Viewed from inside the room they should therefore be on the right-hand side. But instead they are on the left.

GYPSY CARAVAN

Musical documentary
In Romani, Spanish, Macedonian, Romanian, Hindi and Marwari with English subtitles.

BACKGROUND
The Romani or Romany people (as a noun the singular is Rom, plural Roma) are an ethnic group living in many communities all over the world. The Roma are often referred to as Gypsies or Gipsies, a term that is sometimes considered pejorative and is based on a mistaken belief of an origin in Egypt. In actuality, the Roma have their origins in India.

The Roma are generally considered to be wandering nomads despite the fact that today the vast majority live in permanent housing. This widely dispersed ethnic group lives across the world not only near their historic heartland in Southern and Eastern Europe but also in North America and the Middle East.

Roma music plays an important role in Eastern European cultures such as Croatia, Serbia, Montenegro, Republic of Macedonia, Albania, Hungary, Russia, and Romania. The style and performance practices of Roma musicians have influenced European classical composers such as Franz Liszt and Johannes Brahms. One traditional form of Roma music is the genre of the gypsy brass band. The distinctive sound of Roma music has also strongly influenced jazz, bolero and flamenco.

PRINCIPAL MUSICIANS
Esma Redzepova, the "Queen of the Gypsies”
Sayari Sapera, superb dancer with the group Maharaja
Antonio El Pipa, a flamenco dancer
His aunt, Juana la del Pipa

REVIEW
Back in 2001 a group of musicians did a 16-city tour of the United States. This film travels with them for the 6 weeks they were on the road. About equal time is given to the actual concerts and to the principal performers. In doing so, we get a comprehensive overview of Roma music as well as some understanding of the people themselves.

The camerawork is particularily good and the editing first rate.

CLASSIFICATION

NO COUNTRY FOR OLD MEN

2008 Best Picture
Best Actor in Supporting Role
Best Directing

Crime drama

PRINCIPAL CAST MEMBERS
Javier Bardem: Anton Chigurh (pronounced "Sh-gurr")
Josh Brolin: Vietnam vet and hunter Llewelyn Moss
Tommy Lee Jones: Sheriff Ed Tom Bell
Garret Dillahunt: Deputy Wendell
Kelly Macdonald: Llewelyn’s wife Carla Jean
Woody Harrelson: Carson Wells, a bounty hunter

REVIEW
The outstanding production values come about from the unmistakable touch of the Cohen brothers (of Fargo fame) who wrote and directed the film coupled with the cinemaphotography of Roger Deakins (most recently The Assassination of Jesse James). Add to that the superb sound effects, great acting, a suspenseful well-constructed story and you get one dandy film.

Although it is over 2 hours long, it does not seem like it as it moves along at its own pace. There is not a lot that could be edited out, except for the last two or three minutes. Change the ending and it gets one more star.

CLASSIFICATION
for some language and strong graphic violence (and they ain’t kiddin’).

P.S.
I couldn’t figure out how the title related to the movie itself. Turns out it comes from a line in a poem and I quote:
“As a literal paraphrase, the first stanza consists of the speaker describing his former country, a place that is not oriented toward the aged.”

Sailing To Byzantium
by William Butler Yeats

That is no country for old men. The young
In one another’s arms, birds in the trees etc etc

LARS AND THE REAL GIRL

Romantic comedy

PRINCIPAL CAST MEMBERS
Ryan Gosling: Lars Lindstrom, computer programmer
Emily Mortimer: his sister-in-law Karin
Paul Schneider: his older brother Gus
Kelli Garner: Margo, one of Lars's co-workers
Patricia Clarkson: Dr. Dagmar, the town physician

REVIEW
If nothing else, this is an original. Some would say “a bit quirky” but call it what you will; it provides a new slant on the meaning of relationships. Hilarious at times (not the laugh-out-loud type, more the big-smile sort of funny) there is still a serious side to it.

Evident from the get-go is the feeling of kindness and understanding family and friends have towards Lars and his situation. Something we can all learn from.

CLASSIFICATION
for some sex-related content.

FOR NITPICKERS ONLY
 While having dinner at his brother’s house, Lars has a full glass of milk on his left hand side. The shot turns to his sister-in-law then back to Lars and we see him with knife and fork in hand lean over and take something off his friend’s plate. His glass of milk is now on the other side of his plate. Back to Karin and then to Lars once more and his glass of milk has returned to its place while he still holds on to his knife and fork.
 Dr. Dagmar is sitting on a couch with her hands in her lap while talking to Lars. The scene shifts to view her from Lar’s position and although she does not change position, her left arm in now up on the back of the sofa.