Fantasy drama
Friday, August 24, 2012
THE ODD LIFE OF TIMOTHY GREEN
Fantasy drama
PRINCIPAL
CAST MEMBERS
Jennifer Garner: Cindy Green, tour guide
Joel Edgerton: her husband Jim, plant employee
Shohreh Aghdashloo: Ms. Onat of the U.S. Adoption Services
Dianne Wiest: Cindy’s boss Bernice Crudstaff
CJ Adams: 9-year-old Timothy
Emmet Walsh: Cindy’s Uncle Bub
Lois Smith: Cindy’s Aunt Mel
David Morse: Jim’s father James
Rosemarie DeWitt: Cindy’s sister Brenda
Odeya Rush: a young girl
Ron Livingstone: Jim’s boss, Bernice’s oldest son Franklin
REVIEW
Promoted as a Disney film, one movie-goer was heard to say
“Walt Disney would turn over in his grave if he saw this one”. Unlike the great
classic movies such as the Sorcerer’s Apprentice, this one straddles the line
between fantasy and reality. That’s a poor mix: it’s got to be either/or to
make for a story we can buy into. So this one leaves me detached, just an
observer thinking “why did they spend all that money to wind up with this?”
Another thing: three quarters of the people we get to see are
either odd (the young girl Timmy meets once in a while) or nasty unpleasant
folk (Bernice, grandpa James, Brenda, Franklin to name but a few) so it’s a
pleasure to see them disappear from the screen with every scene change.
I should have walked out but
I thought “maybe it will get better?” It never did.
CLASSIFICATION
Thursday, August 16, 2012
HOPE SPRINGS
Drama
PRINCIPAL
CAST MEMBERS
Meryl Streep: Kay Soames, a retail shop employee
Tommy Lee Jones: her husband Arnold, Senior Partner in an
Accounting firm
Steve Carell: Marriage Councillor Dr. Bernie Feld
REVIEW
Brilliant. No other term comes close to describing Meryl
Streep’s portrayal of a woman who is unhappy with her marriage of some
thirty-odd years. Not that the other two principals are slouches, it’s just
that she is so much better than they are.
The story will resonate with anyone who has been (or still
is) in a long term relationship. There is a ring of truth about it and it does
not feel fake. Perhaps one of the writer’s went through this or knows someone
who did?
Clearly geared to the more discerning viewer, one moviegoer so
succinctly put it this way: “an interesting movie that caters to a more
senior demographic although parts of it made me cringe” because of the explicit
and graphic nature of some scenes. Most people will feel the same, being
uncomfortable hearing others talk about their intimate personal sex life.
However, like me, you can always look away if it becomes too much. But more
often than not there is some comic relief, either a titter or a chuckle from
someone.
CLASSIFICATION
for mature thematic content involving sexuality.
P.S.
By splitting the screen during the showing of
the end credits I feel I got gypped having to focus on the continuation of the
movie with no opportunity to read the credits as they roll by. I hope this does
not become a trend in the movie industry because some of us enjoy staying to
the end reading these things.Wednesday, August 8, 2012
ICE AGE: CONTINENTAL DRIFT
Animated action\adventure
PRINCIPAL
CAST MEMBERS
Ray Romano: Manny, a mammoth
Queen Latifah: his mate Ellie
Keke Palmer: their teenage daughter Peaches
Aubrey Graham: Ethan
Josh Gad: Louis
John Leguzamo: Sid the sloth
Wanda Sykes: Sid’s Granny
Denis Leary: Diego, a saber-toothed tiger
Josh Peck: Eddie
Peter Dinklage: Captain Gutt, a primate
Jeffifer Lopez: First Mate Shira, a saber-toothed tiger
REVIEW
The fourth in a series (and hopefully the last) overstays
its welcome by at least 90 minutes, with only Scrat the saber-tooth squirrel providing
any original and/or funny material. The rest of the film comprises recyled themes
and images seen at least once in the preceeding three installments amidst lame
jokes (groaners at best) and slapstick frantic action.
This mayhem will no doubt please the kids but the rest of us
will find it trite. As for the splitting apart of the earth it is too
frightening for the young ones (under 5 I’d say) but that does not seem to be of any concern of the producers. And the thrashing dealt upon poor Granny
shouldn’t be witnessed by anyone, much less by the target audience.
CLASSIFICATION
for mild rude humour and action/peril.
Saturday, August 4, 2012
TO ROME WITH LOVE
Comedy
PRINCIPAL
CAST MEMBERS
Alison Pill: Hayley, an American tourist
Flavio Parenti: Michelangelo, an architect
Lynn Swanson: his mother Ellen
Fabio Armiliato: his father Giancarlo
Woody Allen: retired music producer Jerry
Judy Davis: his wife Phyllis
Judy Davis: his wife Phyllis
Alessandro Tiberi: newly married Antonio
Alessandra Mastronardi: his school teacher wife Milly
Penélope Cruz: Anna, a prostitute
Roberto Benigni: Leopoldo, an office clerk
Alec Baldwin: John, a retired architect
Carol Alt: his wife Carol
Jesse Eisenberg: Jack, an architectural student
Greta Gerwig: his girlfriend Sally
Ellen Page: her friend Monica
REVIEW
What a disappointment: after his wonderful Midnight in Paris, Woody Allen comes out
with a stinker. Supposedly a comedy, the first inkling of hilarity is Jerry’s
reaction to shaking the hand of a mortician, and that after a half hour has
transpired. The next hilarious bit is Jerry’s mispronunciation of Michelangelo’s
name, not just once but three times. It doesn’t get any better than that so set
your laugh expectations low, real low.
But unfortunately that’s not the worst of it: the story is about four couples who have no connection with each other and
these interlaced vignettes are supposed to be of some interest. Well they
aren’t, in large measure because the dialogue is infantile. For example Leopoldo
is interviewed on television and asked what he had for breakfast that morning
to which said “toast and coffee” then this is followed up with “and what
did you put on your toast?” to which he replied “jam”.
No longer able to contain myself from laughing so much (and
not wanting to waste any more time) I walked out.
CLASSIFICATION
FOR
NITPICKERS ONLY
Anna slips off her shoes and tosses them on the bed, each
one landing on a different pillow. When she retrieves them they are both
together conveniently on the side of the bed so she doesn’t have to reach for
them.
Leopoldo tries several times to hurriedly unlock the front
door but in his haste never gets the key in the lock yet the door magically opens
when he pushes on it.
P.S.
Once more Ralph’s Rule of Redundancy applies:
“Any film where one person takes on more than 2
key positions (Woody Allen is Writer, Director and Star) has a major
shortcoming: the absence of independent critical judgement that results in
something less than it might have been.”
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