Showing posts with label Animated story. Show all posts
Showing posts with label Animated story. Show all posts

Wednesday, March 17, 2010

BRENDAN AND THE BOOK OF KELLS




Animated feature film

PRINCIPAL VOICES
Brendan Gleeson: Abbot Cellach
Evan McGuire: his young nephew Brendan
Liam Hourican: Brother Tang
Mick Lally: Aidan, famous illustrator from the island of Iona
and others no doubt

REVIEW
For me there were two good reasons to go see the film:
1. it was nominated for an Academy Award for Best Animated Feature
2. being of Irish decent I have more than a passing interest in all things Irish including Ireland's premier religious treasure, the 9th century illuminated manuscript known as the Book of Kells

What I had not bargained on was the slow pace and not being able to understand just what was going on: were they building a wall around the abbey or drawing pictures in a book? Or none of the above?

The other thing that is a bit off-putting is the unusual flattened perspective of the drawings; the figures look strange, nothing like real people even in “cartoon-mode”. And the use of a limited pallet (mostly green and pale blue) further distracts from any sense of reality.

I stuck it out for half an hour then left.

CLASSIFICATION


P.S.
When I entered the theatre just before the movie began it was completely empty. Never a good sign.

P.S.S.
It did not win an Academy Award. I’m in total agreement with the voters on this one.

Thursday, November 19, 2009

MARY AND MAX




Animated story

F.Y.I.
One of the many forms of stop-motion animation is clay animation. Each object is sculpted in clay or a similarly pliable material such as Plasticine, usually around a wire skeleton called an armature. For feature-length productions the use of clay has generally been supplanted by rubber silicone and resin-cast components. Regardless of the medium used, the object is arranged on the set, a film frame is exposed, the object is moved slightly by hand then another frame is taken. This cycle is repeated until the animator has achieved the desired amount of film. It is an extremely laborious process.
Normal film runs at 24 frames per second. With the standard practice of double-framing (exposing 2 frames for each shot), there are 12 changes made for one second of film movement. For a full-length 90-minute movie, there would be approximately 64,800 stops to change the figures for the frames. Great care must be taken to ensure that the object is not altered by accident, by even slight smudges, dirt, hair, or even dust. This technique is not for everyone.

PRINCIPAL VOICES
Bethany Whitmore: Mary Daisy Dinkle, 8-year-old Australian girl
Renée Geyer: her mother Vera
Philip Seymour Hoffman: 44-year-old New Yorker Max Jerry Horowitz
Eric Bana: Mary's Greek neighbour Damion
Toni Collette: Mary as an adult
Narration by Barry Humphries

REVIEW
A simple well told tale of two lonely people reaching out to find understanding from someone. With time given to each, the characters are fleshed out well enough that you can really get to know them. The story spans twenty years and is a mix of the serious with many laugh-out-loud moments. The voice work is terrific, the expressions and images well done and I just loved the soundtrack.

One more thing: although an animated film it’s target audience is not children because it deals with subjects they would have no interest in nor would they get a lot of the humour. And there would be the problem of having to explain certain things like the manner of dog procreation which appears on screen several times. This and the frequent potty-type humour may not appeal to everyone: for that reason it loses a star.

CLASSIFICATION


FOR NITPICKERS ONLY
Mary flips through the telephone book and spots the name M J A Horowitz. So when she addresses the envelope she would have no way of knowing his first name is Max.

P.S.
There's something special about stop-motion animation with its slightly jerky, less-than-perfect motion that cannot be matched by the more sophisticated, technically superior CGI method.

P.S.S.
I read somewhere that often they managed to shoot just four seconds in a day which is the main reason it took them over a year to film it.

Monday, November 9, 2009

A CHRISTMAS CAROL




Amimated story

PRINCIPAL VOICES
Jim Carrey: Ebenezer Scrooge and the ghosts
Gary Oldman: Bob Cratchit, Jacob Marley and Tiny Tim
Colin Firth: Scrooge’s nephew Fred

REVIEW
Sometimes they should leave well enough alone. Anyone who has read the book or seen the 1951 movie Scrooge played by Alastair Sim will probably be disappointed with the latest incarnation of this classic tale by Charles Dickens.

Not because Disney strays from the basic premise of the story (which they don’t) but because it is difficult to relate to animated characters that for the most part look as though they are made of plastic. Although Ebenezer Scrooge shows a range of emotions and comes close to the real thing, the others do not.

The use of the latest computer generated animation (including 3D in some theatres) has resulted in some really amazing scenes and Carrey’s versatility is nothing short of amazing. But that is not enough to evoke any real emotional involvement which is the whole point of the exercise. And the transformation Scrooge goes through lacks that eureka moment, overshadowed by all the whiz-bang technology.

CLASSIFICATION
for scary sequences and images.

P.S.
I was concerned that the little ones might be frightened by some of the scenes (particularly the ghost of Christmas Past) but as we exited the theatre I overheard one 4-year-old say “it wasn’t real scary…I didn’t even close my eyes once”.

Saturday, September 19, 2009

CLOUDY WITH A CHANCE OF MEATBALLS




Animated story

WITH THE VOICES OF
Bill Hader: lifelong inventor Flint Lockwood
James Caan: his father Tim, owner of a bait and tackle shop
Neil Patrick Harris: Flint’s “assistant” Steve, a monkey
Bruce Campbell: Swallow Falls Mayor Shelbourne
Andy Samberg: “Baby” Brent, star of the sardine ad campaigns
Mr. T: Earl Devereaux, the town policeman
Anna Faris: Sam Sparks, the weather network intern
Benjamin Bratt: Manny, the cameraman

REVIEW
Definitely geared to children, anyone who is not should avoid being too harsh in judging its excesses. Adults will see it as a pleasant diversion with lots of clever lines providing more than a few comic moments (and some outright laughs) even when things get a little bit gross.

The technical aspect is beyond reproach: the CGI rendering is stunning, the detail quite amazing, the colours brilliant. The quality of the 3D version is the best I’ve seen so far.

CLASSIFICATION
for brief mild language.