Sunday, December 4, 2011

THE MUPPETS


84th Academy Award for Best Original Score


Musical comedy

PRINCIPAL CAST MEMBERS
Walter, the world's biggest Muppet fan (voice of Peter Liz)
Jason Segel: his brother Gary
Amy Adams: Gary’s schoolteacher sweetheart Mary
Chris Cooper: evil oil baron Tex Richman
Kermit the Frog, spokesman and leader of the Muppets (voice of Steve Whitmire)
Fozzie Bear, perfomer with a tribute band called the Moopets (voice of Eric Jacobson)
Gonzo, plumbing magnate (voice of Dave Goelz)
Animal undergoing anger management counselling (voice of Eric Jacobson)
Jack Black as celebrity host
Emily Blunt: receptionist at Vogue magazine
Miss Piggy: plus-size fashion editor at Vogue Paris (voice of Eric Jacobson)
Rashida Jones: television network executive Veronica Martin

REVIEW
Getting the old gang together to put on “The Greatest Muppet Telethon Ever” to raise $10 million provides lots of opportunities for the many song and dance routines leading up to the big event. Although things start off a bit slowly once Walter and his friends get to Los Angeles we’re on a roll. And what good fun it is.

The producers have retained several of the essential elements of the original television series: high-profile cameos (including Mickey Rooney, Alan Arkin, Whoopi Goldberg, Selena Gomez and a host of others) as well as witty dialogue and occasionally breaking the fourth wall.

As one movie-goer was heard to say “Jim Henson would be pleased with what they’ve done”.

CLASSIFICATION
for some mild rude humor.

FOR NITPICKERS ONLY
Miss Piggy may be the prettiest of the bunch but her geography is a bit off as she said she had travelled 5,000 miles to get to Los Angeles from Paris. In fact these two cities are over 6,000 miles apart.

P.S.
A short film called Small Fry precedes the movie and is an added bonus. Also I suggest you stick around for the closing credits to see "Mah Na Mah Na" sung by various cast members.

P.S.S.
In a traditional stage setting of three walls the so-called fourth wall is an imaginary one between the performers and the audience. Speaking directly to the audience through this wall breaks the established parameters between the two and as such generally is to be avoided.

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